My work is rooted in a love of trees, nature, and the materials I use. Each piece I make begins with a question: Where did this come from, how is it shaped, and what impact will it have long after it leaves my hands?
When creating, I look closely at three things:
1. Origin
The story of the materials matters. The wood I use is always locally sourced — never imported, never tropical hardwoods. Much of it comes from trees felled due to disease (such as ash dieback) or as part of responsible woodland management. Some would otherwise be discarded as firewood, but instead it’s given a second life as a vessel or bowl. I also consider the ingredients in the oils and finishes I apply, ensuring they are natural, safe, and free from harmful additives.
2. Process
How I make is just as important as what I make. I avoid petrochemical-based products like epoxy resins, plastics, or blowtorches, as these create toxins and microplastics that go against the very nature I want to honour. My tools are chosen for quality and longevity, often bought second-hand, so they serve me for years without waste. The act of turning wood should feel connected to the natural world, not at odds with it.
3. Longevity & Impact
Every piece is made to last, finished with durable, food-safe oils that are non-toxic for your home. If one day a bowl or vessel is no longer wanted, it will return gently to the earth, breaking down without harm. Sustainability to me isn’t only about how something begins, but also how it continues its journey long after my part is done.
Materials
Wood
I’d rather see a tree alive and thriving than cut purely for making. That’s why I only use wood that is local to me, never imported or commercially harvested for timber alone. Some comes from Westonbirt Arboretum’s careful woodland management, while others are gifted by tree surgeons — such as ash taken down because of dieback. In this way, I give new form to what might otherwise be lost.
Finishes
I choose finishes that are natural and low-impact, such as those made from plant-based and mineral ingredients. Brands like Auro and Osmo allow me to protect and enhance the wood while avoiding harmful chemicals, solvents, or plastic additives.
No Plastics or Epoxy
My work is made of wood, not plastic. Epoxy resins are, at their core, a form of plastic — harmful to make, harmful to dispose of, and harmful to the environment. They create toxic by-products and never break down. I choose not to use them because I want my pieces to reflect nature, not fight against it. (And, if I’m honest, I find them ugly too.)
Other Considerations
Each piece I make is a collaboration with nature — thank you for choosing work that respects the material, the process, and the earth it came from.